shaul knaz - layout for a dream ...

01/08/2005 - 12/10/2005

Shaul Knaz was born in Kibbutz, Israel in 1939 and lives and works there as an forming artist and author. The galerie gugging is showing for the first time in Austria the works of the autodidact who up to now has exhibited primarily in Israel and Italy. We have been showing 39 works that have been created in the past 15 years.

“When people ask me, ‘All those people in your works – the ones running, fighting, loving, dreaming, falling down only to stand up again – where are they all heading?’, then I try to explain that I am one of those people, that I talk about people yet don’t want to say anything.” (Shaul Knaz)

Knaz describes his work as being social-critical, rather than a political statement. He observes situations in his country, on the kibbutz, and concerns himself with the desires and the striving of the people for freedom, love, joy and peace. How can a person be a part of the whole and yet preserve his identity? How can he feel connected and comfortable instead of seeking refuge in entertaining pleasures?

Ever since the time of prehistoric cave paintings, cuneiform script and later hieroglyphics, stories have been told and history has been written. Shaul Knaz tells his story, marked by his life on the kibbutz, in his own unique way.

The key figures in his works are man and woman, who represent the human need for togetherness in a complicated modern world, and also the difficulty in safeguarding this connection. The man always has a weapon by his side; the woman is often depicted as being pregnant or holding a child by the hand. One can also see houses, trees, flowers, cars, children playing or holding balloons, the things of everyday life and tanks that seem to float on the works, that are multiple repetitions of themselves, reflecting what surrounds Shaul Knaz. He meaningfully arranges the individual subjects that at first glance appear to be happy and carefree, in such a way that via the feeling of the viewer, the theme of the respective work can be apprehended. Time and again, individual words or phrases appear in his works that – skilfully placed – emphasise the intended message of the work.